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Her most well-known work, How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013), mocks an instructional video designed to combat obscurity in the digital world, as discussed in Gary Zhexi Zhang’s feature for Issue 23 . Hito Steyerl. How Not to Be Seen: A Fucking Didactic Educational .MOV File, 2013. HD video, single screen in architectural environment. 15 minutes, 52 seconds 2014-07-15 · Resistance is also at play in the show’s other video, “How Not to Be Seen: A Fucking Didactic Educational .Mov” (2013), albeit one that is less about violent forcefulness and more about subterfuge.
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Hito Steyerl leker med formen i sitt videoverk How Not to. Be Seen: A Fucking Didactic. Educational.MOV File, som är en parodi på en tutorial, en instruktions. Som den tyske konstnären och teoretikern Hito Steyerl säger: How about siding with the object for a change? Why not affirm it?
Hito Steyerl, The Factory of the Sun, 2014. German - Pinterest
How Not to Be Seen: A Fucking Didactic Educational.MOV File, 2013* Hito Steyerl. How Not to Be Seen: A Fucking Didactic Educational.MOV File, 2013* Vista de sala de la exposición Hito Steyerl. Duty-Free Art, 2015 Vista de sala de la exposición Hito Steyerl.
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2019-07-18 2017-10-03 2014-07-15 How Not to be Seen: A F**king Didactic Educational .MOV File, begins with a sweeping shot of photo calibration targets in the California desert utilized by the military and acts as an instructional film on how to avoid being seen in an age of digital surveillance. Hito Steyerl: How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) “Whatever is not captured by resolution is invisible” intones the narrator of Hito Steyerl’s How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013).
The notion of withdrawal through illegibility unites these two works which, in different media, explore the possibility of rejecting complicity with
2014-08-06
Hito Steyerl, HOW NOT TO BE SEEN: A Fucking Didactic Educational .MOV File, 2013, video still It begins with a blank screen. The word ‘STRIKE’ appears across it, in white capital letters against a black background. Then a woman appears, dressed in black. 2014-03-13
2015-08-09
seen this a few times now.
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Her video, How Not to be Seen: A Fucking Didactic Educational .MOV File, begins with a sweeping shot of photo calibration targets in the California desert utilized by the military and acts as an instructional film on how to avoid being seen in an age of digital surveillance. Not as the main subject, but as background in someone’s amateur photograph. How Not To Be Seen is, at heart, a satire. Steyerl, with biting humour and superior clarity of thought, shows us how to be invisible in a world increasingly being taken over by digital representations of ourselves and everyone and everything around us.
Hito Steyerl är verksam som
Image CC 4.0 Hito Steyerl Image courtesy of the Artist and Andrew Kreps Gallery, New York. Presslunch: 9 oktober kl 11:30
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Hito Steyerl, How Not to be Seen: A ing Didactic Educational .
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Konst. Kvinna. Modern Konst Hito Steyerl, 'How Not to Be Seen: A Fucking Didactic Educational .MOV. Hito Steyerl. How Not to Be Seen: A Fucking Didactic Educational .
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Subscribe. Get updates on the MoMA . In this guerrilla manual for modern asylum seekers wishing to escape the surveillance society, Steyerl uses humour to promote media technology itself as Hito Steyerl How Not To Be Seen. A Fucking Didactic Educational .Mov File, 2013. HD video file, single-channel.
Photo: Courtesy of the artist and Andrew Kreps In HOW NOT TO BE SEEN: A Fucking Didactic Educational .MOV File, Hito Steyerl handles new visual technologies in a playful manner and examines the response of the individual to the surveillance architectures of the global digital space as well as the control mechanisms and power structures that have an impact there. Hito SteyerlExtracto de How Not to Be Seen: A Fucking Didactic Educational .MOV File Hito Steyerl - How not to be Seen Iedereen wil gezien worden en wórdt ook de hele dag getraceerd; het omgekeerde is zo goed als onmogelijk geworden. Hito Steyerl, winnaar van de EYE Art & Film Prize, houdt zich in haar hele oeuvre bezig met het ‘verdwijnen’ en de relatie tussen beeld en identiteit.